As we've learned from his last big screen effort, Sacha Baron Cohen employs a wide variety of low-tech tricks to sell his comedy illusions. For example, to create those Borat Polaroids in which his face grazed his teenage son's exposed manhood, a gay porn star was hired who looked young enough to be the Kazakh's spawn. But with follow-up Bruno, the stakes and degree of technical difficulty have upped considerably. No longer will audiences be satisfied with the suggestive flopping around of a fist-shaped dildo and post-gay-pride-parade communal showers. A movie about a gay Austrian fashionista ...

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